New Post n.i.

"Effective writing springs from the creative joy of the writer. Readers gain the most when they are an unintended audience; not a target, but a happy participant in another's joy."

When one insists on inspiration to write, one insists on not writing much. Thus, I am a learner at writing n.i., that is, "no inspiration."

Of course the kind of writing I now indulge is mere string-pushing. I take a thought, such as the idea of writing itself, and push it as one would push a string. It goes in unpredictable ways and yet remains connected to itself.

This, as observed elsewhere, is close to real essay style. Establish a beginning thought and pursue it in a meandering fashion.

So what is my thought? That writing needs to be done. Maybe I'm like the natural-born chef who sees culinary affections on the random grocery store aisle; or the carpenter who imagines architectural wonder arising from a stack of lumber. For me, the writing bent results from jumbled thoughts begging for clarity. My mind resists from laziness because this is hard work, sorting out ideas. But now and then it simply must be done...because.

What needs disentangling at the moment? A thousand thoughts, and one. If I were to grab one from the thousand flitting by it would be, "What makes writing effective?"

A few bullets may address this helpfully so I'll give it a go. To be effective here are three essential ingredients for writing:

• The writing must be real, a clear and honest reflection of the writer's mind and heart. In this way it partakes in the universal human reality of life, the most common ground for connection. How to do this? Just explore what you are thinking or what you have experienced and then talk of it candidly, artfully, transparently. This transparence includes openness to be sure, but you needn't let all your guts spill. If you learn to be appropriately real and open, you will find yourself writing well.
• The writing must be clear, exhibiting a creative and experienced grasp of the language. Quality and beauty co-habitate: where you find one you will have the other.
• Finally, the writer must hold loosely the opinions of the reader and even of herself. Writing is a glad expression of the human heart, much as Creation is an overflow of the grandeur of God. It is not foremost to win or cajole, persuade, entertain, enlighten, impress. Rather, writing springs from the creative joy of the writer. Readers gain the most when they are an unintended audience; not a target, but a happy participant in another's joy.

Writing n.i.? Indeed! But these thoughts help me be more clear about what matters. And so I will leave be, joyful to have written, glad if an unintended reader is helped along the way!